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Shenzhen Shorts – Dameisha Beach and the Interlaken Resort (NOW CLOSED)

Shenzhen Shorts – Dameisha Beach and the Interlaken Resort (NOW CLOSED)

As of April 2025, the Interlaken Resort in Shenzhen is permanently closed. There were those days. A few decades ago, my family took a vacation in Xiaomeisha in Shenzhen. That was when even the Daya Bay Nuclear Power Plant had not been built yet. In 

The Museum of Coastal Defense

The Museum of Coastal Defense

This is my second time visiting the Museum of Coastal Defense. My last visit was more than ten years ago. Revisiting this incredibly interesting museum, I found the learning to be even more comprehensive than my last visit. It is my view that the Museum 

Ubiquitously Uzbekistan – The Kunya Ark of Khiva and Sunset Views

Ubiquitously Uzbekistan – The Kunya Ark of Khiva and Sunset Views

We strolled through more of the old town of Khiva, and came upon a little coppersmith shop.

The small shop displayed many goods of interests, a humble collection of finished products and some were work-in-progress. The coppersmith was playing with some of his instruments when we went in. Seeing that there were visitors, he immediately came to us and showed us his crafts. He did eventually understand that we were really “just lookin.” To our surprise, instead of leaving us alone, he began firing up his tools for a demonstration.

He fired up a piece of copper and hammered a copper bowl. We saw the process of crafts making unfold, from a piece of raw copper into the shape of a bowl, with hand pounded hammer prints on the craft. This style is very much in vogue at the top end furniture stores.

We were thankful for this incredibly interesting demonstration of his copper craft. We also understood that, to be able to suppress the shopkeeper’s instincts to sell his products, and welcomed instead the tourists into the viewing and videotaping of the process of his craftsmaking, it probably took some well-intentioned training by the authorities. For that we surely were grateful.

We had a coffee break at a nice café with an al fresco seating area facing a beautiful view of Khiva. The café’s name is now lost on me, but I do remember rather distinctly that it was located on Pahlavon Mahmud Street.

The Pahlavon Mahmud Complex

As said before, there is a separate fee to enter the Pahlavon Mahmud complex, and we decided not to see it. Suffice to say, that Pahlavon Mahmud (1247-1326) was a poet, humanist and craftsman, whose work and poetry were recognized during his own lifetime. Khiva’s rulers commemorated him with this building, and it is supposedly very beautiful with exquisite turquoise interiors. This structure also stands upon the little craftsman workshop in which he was buried, as according to his will.

The Kunya Ark

Dusk might befall upon us in an hour or so. We somehow wandered into the Kunya Ark area. We made our way up the Ark and found gems. There were courtyards there with turquois tiled walls and long wooden pillars and decorated wooden eaves, sights that were quite a bit different from the historic buildings that we had seen prior to this point.

We figured that we did get our share of turquois décor here, despite our decision against seeing the Pahlavon Mahmud Complex for an additional fee.

There were not so many tourists and we took plenty of photographs.

Like the Ark of Bukhara, the Kunya Ark was where the rulers of Khiva actually resided, as such it was as much a defense structure as it was a residential neighborhood for the royals. Built first in the 12th century, the Kunya Ark meant “Old Fortress,” as opposed to the Tash Khauli that was built on the East Gate later.

The structures that stand today at the Kunya Ark date to the 18th and 19th centuries, although the earliest foundation of the Kunya Ark are 5th century structures. The fortified palace was built in 1686 by Aranghan Khan. However, the palace fell into disrepair after the royals moved to the Tash Khauli.

Because the Kunya Ark was once the residence of the khan’s, the structures there were intended to serve practical purposes. The chambers there served as mosque, reception hall, powder mill, arsenal, mint, harem, kitchen, stable, guardhouse and more.

The restored reception hall shows elaborate interior décor and beautiful turquoise in the outside. The throne room was not too big, but it does show the glory with which the khans received their visitors.

A large quantity of relics have been excavated from the sites here, confirming the historical sources that described the life here as early as the 13th and 14th centuries. These relics included glazed and unglazed ceramics, an old well, hearths and more.

The structures that are still standing now host a museum, and we took a quick look at the exhibits. The former mint is now the museum covering the history of the currency (both in Khorezm and in Uzbekistan).

Khiva at Dusk

We spent maybe an hour, or a little more, enjoying the Kunya Ark with its stately stature. We spent a bit of time at the fortress and watchtower area, for that is where one can see all of Khiva beneath the perfect azure of the sunny day.

Our plan was to enjoy more of the dusk views at the nearby Terrassa Café.

At the Terrassa Café you must secure two things. First, it goes without saying that you must secure your table. We wanted sunset viewing so I were there quite early, at around 6pm, to get a table on the roof.

Secondly, and perhaps more importantly, you must secure a blanket. Khiva becomes very cold at night, and we were literally shivering through our dinner, despite having the blankets. To our surprise, the roof dining area was actually not full at all, perhaps it was exactly due to the cold.

And we saw both the Kunya Ark and all of Khiva morphed in colors as the dusk befell. That concluded our only full day of sightseeing in Khiva. And this was one of the most savored memories in our trip to Uzbekistan.

Sources

Descriptions on site at the historic monuments in Khiva.

Central Asia Guide, The Kunya Ark Fortress.

Sophie Ibbotson, Uzbekistan, Bradt Travel Guide (2020).

Ubiquitously Uzbekistan – The Juma Mosque in Khiva

Ubiquitously Uzbekistan – The Juma Mosque in Khiva

Khiva was clean, neat and windswept. We went right by the Kalta Minor to find the Orient Star Khiva Hotel, which took over the original site of the Madrassa Muhammad Aminkhan as its place of business. The construction for the Kalta Minor was never finished 

Ubiquitously Uzbekistan – A Bag of Gold Just to See Khiva

Ubiquitously Uzbekistan – A Bag of Gold Just to See Khiva

I’d be willing to offer a bag of gold in exchange for just one look at the ancient city of Khiva. This Central Asian saying speaks amply to Khiva’s historic status as one of the most beautiful and storied cities along the ancient silk road 

Ubiquitously Uzbekistan – The Muynak Ship Cemetery

Ubiquitously Uzbekistan – The Muynak Ship Cemetery

At the roadside restaurant, where most tourists stopped for their meals in a vast stretch of no man’s land, we had a much-needed Lachman in hot soup. I also had the opportunity to put on whatever pieces of clothing that I had with me to keep warm. Our next stop was the Muynak Ship Cemetery.

It was extremely windy at Muynak. We warmed up again inside the Muynak Museum. Despite its small and humble collection of exhibits, I thought it well served the purpose of introducing the story of the Aral Sea.

The Aral Sea, the Lifeline of the Karakalpakstan People

Before the 1960s, the Aral sea was thriving with life. It was the fourth largest body of salt water situated inlands. The main products of the Aral Sea were fish and fur. There was video footage at the museum showing the fish canning industry, with images of the abundance that once blessed this now-deserted community. The fish canning factory must have employed thousands of people. The footages conveyed a sense of upbeat optimism—there was food and there was work.

Besides the fishes, the wildlife that once roamed the nature here included wild ducks, herons, swans, geese, pheasants, flamingoes, pelicans, swamp lynxes, eagles, sparrow hawks, wildcats etc.

But in the early 1950s, the Soviet Union embarked on a program to increase river diversions to expand irrigated cotton production in this region, including parts of Kazakhstan and Turkmenistan. Starting in 1954 with the construction of the Karakum Canal in Turkmenistan, large amounts of water were diverted from the former fresh water sources of the Aral Sea to irrigate fields. Gradually, the origin of the water for the Aral Sea, the rivers of Amu Darya (also known by the older name of the Oxus) and Syr Darya, were cut off. Half of the flows of these two rivers used to replenish the water at the Aral Sea.

This decision of the Soviet Union had the immediate result of the sea level declining by 15 meters or so, and the surface area reduced by half. In the late 1970s, no water from the Syr Darya reached the Aral Sea, and the Amu Darya supplied only a minimal and dwindling volume.

Until the early 1990s, fish had been shipped in from distant locations (the Arctic, the Baltic and the Pacific) for processing. The loss of fish productivity sparked a collapse of the industry and employment. In the 1960s, 43,430 metric tons of fish were caught in the Sea, dropping to 17,400 tons in 1970, to zero tons in 1980, and still now. This was devastating to the Karakalpakstan people, not least the fact that the environmental damage has caused an enormity on their health.

Uzbekistan is still the largest exporter of cotton today.

An Environmental Disaster of Desertification at the Aral Sea

There was phenomenal decline in the water level and surface area at the Aral Sea, so much that the shrinkage was observable in space. Even in the 1950s and 1960s, there was widespread awareness of the potential degradation surrounding the Aral Sea draw-down. Eventually, the water surface area shrunk to 1/10 of its original size. The Aral basin was singled out by the International Geographical Union (IGU) in the early 1990s as one of the Earth’s critical zones. Fishing stopped altogether in the 1970s to 1980s. Then the following decades came with significant desertification.

Perhaps it takes a brief explanation for how the dry-up of the Aral Sea has caused far-reaching damage to the whole habitat and the ecosystem. First of all, monocropping of any plant erodes soil, and cotton farming itself requires a significant amount of water. This resulted in the complete diversion of the two main rivers. As fields were continually irrigated on a large scale, soil fertility rapidly declined, and this prompted attempts to use increasing amounts of fertilizers, herbicides, and pesticides to maintain, if not expand, cotton productivity. Many of these chemicals found their way through the return flow to the rivers, as well as to the ground water.

The cut-off of fresh water flows into the Aral Sea led to increasing salinization of both the water and the soil. To address the increasing salinization of soils, more water had to be used to flush the land of salts and other compounds. Much of this drainage water was returned to the rivers and eventually to the Aral Sea. Drainage canals were eventually constructed to divert some of the contaminated water away from the Sea into Lake Sarakamysh, a regional desert depression.

The salinity of the Aral Sea water increased to such an extent that several areas had the same salinity as an open ocean. The decreased sea levels resulted in dust storms that had both environmental and health consequences.

The sorrowful sights at the ship cemetery confirmed this process. Some ships had their steel cast bodies stripped and left with just the rusty skeletons. The gloomy day seemed to match this despondence. The abandoned fishing boats lying on a vast swathe of desert stand as the woeful testament to a once-thriving fishing industry that supported the people that took this area as their native land.

The Health and Economic Effects of Desertification at the Aral Sea

The people of Karakalpakstan suffered from severe health consequences of the Aral Sea depletion. High infant mortality rate, birth defects, widespread kidney stone issues, and throat cancer began to appear after the Aral Sea depletion. There were efforts to advocate for the Karakalpakstan people to move elsewhere en masse, but many have refused to leave their native land, despite the wholesale destruction of both their natural habitat and their means of livelihood. Of course, some have also left, and they ended up taking low-paying jobs at the bottom rungs of the economic ladder. This environmental disaster has destroyed both the habitat and threatened the survival of a whole people.

There is current effort to recreate the Aral Sea, and the water surface has indeed increased. Some wild life has also returned. While these efforts to restore the Aral Sea were met with moderate success and it takes a very long time to show results, hope goes a long way.

Sources

Descriptions on site at the Muynak Ship Cemetery

Iwao Kobori and Michael H. Glantz, Eds., Central Eurasian Water Crisis: Caspian, Aral and Dead Seas (1998).

Jacob Dreyer, A Giant Inland Sea Is Now a Desert, and a Warning for Humanity, New York Times, November 28, 2023, Guest Essay.

Ubiquitously Uzbekistan – The Nukus Museum of Art

Ubiquitously Uzbekistan – The Nukus Museum of Art

The Karakalpakstan State Museum of the Arts was named after Savitsky as the Savitsky Art Museum. Located in Nukus, which is the capital for the semiautonomous region of the Republic of Karakalpakstan, the Savitsky Art Museum is simply known as the Nukus Museum of Art. 

Ubiquitously Uzbekistan – The Zoroastrian Tower of Silence

Ubiquitously Uzbekistan – The Zoroastrian Tower of Silence

The train headed west toward Khiva. As it turned out, the desert climate of Bukhara would pale in comparison to that of Khiva. When we left the train station, we were greeted with a frigidity for which I was completely unprepared. We went from 38 

Oi! on Oil Street

Oi! on Oil Street

I stumbled upon Oi! one day when I was heading over on foot to Tin Hau from North Point. I was first drawn to the beautiful red brick structure and stopped in for a look. There was staff at the help desk there and I learned something about this heritage site.

Oi! is an art space meant for community involvement, especially in being interactive. Standing on Oil Street in Fortress Hill, the building celebrates art, creativity and ideas of sustainable living by offering the space for dialogue, exhibition and respite.

The History of Oi!

At its inception in 1908, the former site of Oi! was the Royal Yacht Club Clubhouse. As such, the building’s location on Oil Street was formerly a waterfront area in North Point. In those times, the venue opened its doors only to the Europeans or otherwise very prominent persons.

Photo: These five trees at Oi! indicate the former coastline in this part of Hong Kong. After the North Point reclamation, the Royal Yacht Club had to move its venue to the Causeway Bay Shelter because the former Yacht Club was no longer at the waterfront.

The exhibition halls of today were where the yachts were repaired at the Royal Yacht Club Clubhouse.

Throughout its century-long history, Oi! has served as government staff quarters and offices. Eventually, the venue was handed over to the Art Promotion Office for restoration and re-positioning into the current space for arts and community. It being a government-led initiative for restoration, Oi! is quite different from other heritage sites in Hong Kong. In partnership projects, the Hong Kong Government would approve funding for successful applicants (usually NGOs) to conduct the restoration work, after which the NGO would take over the operation and maintenance of the venue for its own use.

The Oi! has been given the status of a Grade 2 Historic Building.

The Architecture of Oi!

The former Royal Yacht Club Clubhouse was built in the style of Arts and Crafts architecture. First features to note are the fusion of Chinese and western style architecture. The tiled roof and the red bricks are more representative of the Chinese style, but the arched windows, white paint and doorways are western.

The building has a few sections but overall it is built in a minimalist style. This feature is shown in the fact that the water pipes of the building are exposed. There is also no adornment on the bricks.

Photo: Inside the Kitchen, people can sit freely with their own food if there is no cooking class.

In the restoration effort, the building was repositioned to imitate the idea of a home. Therefore all the different buildings were renamed in home rooms, such as the kitchen, living room, study, balcony and garden etc.

Finally, the different sections of the building shows different heights in its rooftops. One section has a double tiled rooftop as well. This aspect of the architecture provided a textured aesthetics against what used to be hills at the back of the Royal Yacht Club Clubhouse.

Oi! Today

The Lawn at Oi! features a green urban space. On the day of the public tour, an installation by a London artist was featured in the lawn. The theme of this series of installations is People Mountain People Sea, in Chinese it is an idiom referring to the exceedingly crowdedness of a given space.

The public area features many old banyan trees and it was generously shaded. The artsy sitting area comes with distinct seating with a tray for placing food and drinks. There are two such seating areas and they are themselves artwork installations, entitled Branching Benches.

Photo: The Branching Benches is itself an art installation that has a very practical purpose.

I inquired at the small outhouse, as its appearance seems to suggest that food is sold there. However, Oi! Kitchen does not actually offer food for sale. It is the venue for community cooking classes. On days where classes are not held, anyone is free to bring a takeout lunch to sit in the comfort of a hip kitchen space and eat.

Photo: The Kitchen of Oi!

According to the introduction of Oi! on the Art Promotion Office (APO), as a venue of art Oi! maintains a vision with four substantive approaches,

Oi! Spotlight invites both local and overseas artists to showcase their work in response to innovative ideas, boosting cultural exchanges between regions at the same time; Oi! Daily hosts events and invites the public to take part in a dialogue where art becomes a part of our daily life; Oi! OnSite invites talented creators to participate in artist-in-residence programmes with the aim of reconfiguring our impressions of and feelings about our surroundings; and Oi! SoGreen sets out to inspire the public with the plants at Oi! and art programmes that help reconnect them with the natural environment by providing a taste of green living with hints of flowers and fruits.

Photo: The Glass House is a modern addition to the heritage site.

How to Get There

The address of Oi! is 12 Oil Street, North Point. The MTR station at which to get off is the Fortress Hill Station.

Free public tours conducted in Cantonese are available every Saturday and Sunday at 3pm. No pre booking is required, but arrive 5 minutes before 3pm at the reception area. The tour takes about 15 minutes.

Be mindful of the opening hours of Oi! The venue is open Mondays 2pm-8pm (except public holidays, when it is open on normal hours), and Tuesdays to Sundays 10am-8pm. On Christmas Eve and Chinese New Year Eve, it is open 10am-5pm. It is closed on the first two days of the Chinese New Year.

Sources

Descriptions on site at Oi!

The Public Tour of Oi!

The Art Promotion Office’s introduction on Oi!.

Shenzhen Shorts – The Nantou Ancient City

Shenzhen Shorts – The Nantou Ancient City

After the Gankeng Ancient Hakka Townlet and the Dapeng Fortress, the only ancient city left to visit in Shenzhen is the Nantou Ancient City. The History of Nantou Ancient City The artefacts excavated in Nantou suggests the existence of settlement as far back as the